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HANDCRAFTED STUDIO EDITION // FARMINGDALE, NY

Tru-Vue Optium Museum Custom Cut Acrylic Sheet Anti-Reflective 99% UV Glazing

SKU: ABBOT-CUSTOM
$50.33 - $890.00
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Selected Price $50.33
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White-Glove Archival Packaging
Handcrafted in New York Since 1971
Custom Dimension & Personal Selection Concierge

Want Personal Guidance Selecting Your Acrylic or a Custom Fractional Cut?

Select a standard sheet size above, compare all 4 tiers in our Master Tru-Vue® Acrylic Collection, or work 1-on-1 with Master Framer Rashid Jalili on our Personal Acrylic Glazing Consultation Service Page.

Optical Glazing // Tier 1: The Sotheby's, Met & Louvre Standard

Tru-Vue® Optium Museum Acrylic® — Virtually Invisible Anti-Reflective & Anti-Static

The undisputed pinnacle of museum conservation glazing. Using magnetron-sputtered optical interference coatings, Optium Museum Acrylic® reduces reflection to less than 1.6% (with zero matte blur at any depth), blocks 99% of UV rays, neutralizes static electricity for pastels and charcoals, and resists surface abrasion.

Optical Reflection <1.6% Virtually Invisible
Static Protection Permanent Anti-Static (Pastel Safe)
UV Filtration 99% UV Block (300–380nm)
Surface Durability Hard-Coat Abrasion Resistant

The Collector's Story: Guests Will Reach Out to Touch It Because It Looks Invisible

When collectors first see a painting, dark photograph, or 3D shadow box glazed with Tru-Vue® Optium Museum Acrylic® at our Farmingdale, NY gallery, their first reaction is always the same: "Wait—is there even glass in this frame?"

Unlike matte non-glare acrylic (which etches the surface), Optium uses microscopic optical interference coatings—the exact technology on a $3,000 Leica camera lens—to cancel out light reflections while keeping blacks velvety deep and colors 100% razor-sharp, even across a 4-inch deep shadow box!

Tru-Vue® Optical Glazing Hierarchy // 4 Distinct Tiers

Compare All 4 Tru-Vue® Acrylic Sheets & Our Personal Consultation Service

Every Tru-Vue® sheet is 50% lighter and 20x more shatter-resistant than glass. Compare all 4 tiers in our Master Acrylic Collection, or work 1-on-1 with our framers via our Personal Acrylic Selection Service:

Tier 1 // Pinnacle Museum

Optium Museum Acrylic®

99% UV block + virtually invisible (<1.6% camera-lens optical reflection) + anti-static (safe for pastels/charcoal) + abrasion resistant.

View Optium Museum →
Tier 2 // 99% UV + Non-Glare

Conservation Anti-Reflective

99% UV block paired with a micro-etched matte reflection-control surface that diffuses harsh window and spotlight glare.

View Anti-Reflective →
Tier 3 // 99% UV Bestseller

Conservation Clear® 99% UV

Blocks 99% of harmful indoor and outdoor UV rays with crystal-clear water-white optical transmission to halt fading.

View Conservation Clear →
Tier 4 // Shatterproof Clarity

Premium Framing Grade

Shatterproof, lightweight water-clear optical upgrade over heavy, green-tinted picture frame glass for everyday framing.

View Framing Grade →

Why Fine Art, Pastels & Shadow Boxes Demand Optium Museum

Why do museum conservators forbid using ordinary acrylic on chalk pastels, charcoal drawings, and unfixed graphite?

  • The Static Magnet Problem: Standard acrylic carries an electrostatic charge that literally lifts loose pastel and charcoal dust off the paper and sticks it to the inside of the sheet.
  • The Optium Anti-Static Solution: Optium Museum Acrylic® dissipates static charge permanently—making it completely safe for delicate pastels, charcoals, gold leaf, and fragile textile fibers, while also repelling household dust on the outside! Read Museum Acrylic Glazing: Why Glass is Obsolete.

When framing dark silver-gelatin photography, high-gloss Cibachrome prints, or deep 3D memorabilia (Shadow Box Framing), standard glazing reflects 8% of room light like a black mirror. Optium drops reflection below 1.6% with zero optical haze regardless of how deep the frame is.

VERIFIED STUDIO ACQUISITIONS // FARMINGDALE, NY

Collector & Trade Reviews

Studio Note: Because Abbot Art has operated primarily as a Farmingdale, NY framing studio and trade shop since 1971, many of the reviews below were gathered from clients over the phone, by email, or at studio pickup by our owner and staff. All are shared with permission and may be lightly paraphrased for length.

No client reviews have been published for this studio edition yet. Share your experience with Abbot Art below.